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ORCID 0000-0001-5083-5936 Deputy Editor: Akila SridharĪkila joined Scientific Reports in September 2022 after working for four years with BMC Series Journals as a Senior Editor. Her interests lie in materials for energy applications and deep earth geochemistry. Prior to this she completed a PhD in Earth Sciences at the University of Cambridge, UK in igneous petrology and mantle geochemistry. ORCID 0000-0003-2616-3193 Deputy Editor: Eve RooksĮve joined Scientific Reports in 2019, after working as an editor on the Royal Society of Chemistry’s materials chemistry and engineering portfolio for 3 years. She joined Scientific Reports in January 2019. ORCID 0000-0003-0316-1363 Deputy Editor: Elizabeth MannĮlizabeth has a background in pharmacology and completed her PhD in neuropharmacology at King's College London, UK. He was an editor at Genome Biology for four years before joining Scientific Reports in August 2016. He did his PhD and postdoctoral research in single-cell proteomics at Imperial College London, UK. Rafal's background is analytical and biological chemistry. In-house Editors Chief Editor: Rafal Marszalek In-house Editors led by Chief Editor Dr Rafal Marszalek.From our Editorial Board Members and Senior Editorial Board to our in-house Editors, we work together to ensure that your research is expertly handled and that we consider it to be technically sound, scientifically valid, and ultimately suitable for publication. Illustrious performers who have graced our stage include, in no particular order, Rachelle Garniez, Anthony Coleman, Andy Statman, Smokey Hormel, Chicha Libre, Matt Darriau, Erik Friedlander, Ethan Lipton, Madeleine Peyroux, Les Primitifs du Futur, Guy Klucevsek, Eszter Balint, Big lazy, Pedro Giraudo, MIchael Buscemi, Opera on Tap, Catherine Russell, Gyan Riley, Marta Topferova, The Microscopic Septet, Bill Frisell, Brooklyn Qawwali Party, Rick Moody, David Del Tredici, Robbie Fullks, Frank London, Marc Ribot, The Wiyos, Seb Martel, Norah Jones, Red Barraat, Son de Madera, Sonagi Project, Alash, Gina Leishman, Nation Beat, Roy Nathanson, Bruce Cockburn, Alex Meixner, Greta Gertler, Sanda Weigl, Polka Madre, Danny Kalb, Sxip Shirey, Doug Wamble, Beat Circus, Matt Munisteri, Michi Wiancko, Stephane Wrembel, The Parker String Quartet, Las Rubias del Norte, Banning Eyre, Chris Speed, Jim Black, Oscar Noriega, Banda de Los Muertos, Mavrothi Kontanis, The Roulette Sisters, Hazmat Modine, Slavic Soul Party, Lucia Pulido, Don Rauf, Scott Kettner, Rob Curto, One Ring Zero, Pierre de Gaillande, and many, many more.Scientific Reports is run by a team of experienced editors who are experts in their fields. Other notable achievements by musicians who have long been associated with Barbès would include many of the artists on our associated record label, Barbès Records, including Hazmat Modine, Chicha Libre, Banda de los Muertos, Pierre de Gaillande, Sanda Weigl, and Las Rubias del Norte.
The club has long favored residencies that have contributed to developing such talent as Slavic Soul Party, Stephane Wrembel, Jenny Scheinman, Combo Chimbita, Bulla en el Barrio or The Mandingo Ambassadors - all of which have established flourishing careers outside of the club. Barbès has also been an active presenter of Western classical music, improvised music, Americana, and just about any kind of quality music that will suit its small backroom. As a result, it was named as one of the ten best jazz clubs in the country by Playboy magazine as well as the second best World Music venue nationwide by the readers of.
A pride mitigated by the bit part it might have played in the over the gentrification of the borough.īarbès never focused on any particular type of music. The epicenter of New York’s creative energy has long since shifted to Brooklyn, and Barbès is proud to have been one of the participants in this transformation. Originally started by two French ex-pats at a time when Brooklyn had not yet fully experienced the cultural explosion it is now known for, Barbès’ original goal was to provide a space and a community for artists and musicians – many of whom were based in Brooklyn and needed an alternative to Manhattan clubs which didn't always foster original or non-commercial projects. The Brooklyn bar and performance space, which opened in the South Slope section of Brooklyn on May Day of 2002, has presented over 18,000 events since it opened.
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